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If there’s one constant in modern film history, it’s Hollywood’s obsession with mixing natural disasters with hungry predators. After giving us alligators in Crawl and sharks inside an apartment in Under Paris, director Tommy Wirkola (best known for the madness of Dead Snow and Violent Night) tries his luck with Thrash. This film went through a serious identity crisis before release—changing titles from Beneath the Storm, to Shiver, and eventually getting “dumped” by Sony onto Netflix as Thrash. Honestly, multiple title changes are usually not a good sign, and sure enough, the final product feels like ordering a premium steak but getting a cheap snack instead: fine to fill you up when you’re really bored (or desperate), but far from satisfying.
The plot is pretty straightforward—your typical no-frills survival thriller. A Category 5 hurricane (with vibes closer to a Category 6) slams into a coastal city. Amid the chaos, rising seawater brings in—surprise, surprise—a swarm of hyper-aggressive bull sharks into residential areas. We follow multiple POVs: Lisa (Phoebe Dynevor), a heavily pregnant woman trapped in her car; Dakota (Whitney Peak), an agoraphobic teenager forced to confront her fears; and their uncle Dale (Djimon Hounsou), a maritime researcher trying to play hero. Wirkola had the potential to turn this into a wild gore-fest, but for some reason, Thrash feels oddly restrained.
The film’s biggest issue is its inconsistent tone. On one hand, it tries to be very serious, especially when tackling Dakota’s trauma or Lisa’s struggle to survive late-stage pregnancy during a flood. On the other hand, the premise is pure B-movie material that should’ve gone way crazier. Tommy Wirkola, who’s usually great at crafting creative, brutal sequences, feels like he’s only half-committed here. We do get scenes of sharks biting people’s heads off, but the CGI often looks rough and underwhelming. The sharks lack any real presence—they feel more like digital assets drifting through murky water than actual threats. If you’re expecting Jaws-level tension, you might want to skip this one.
MagicReview gives Thrash a 5.4 out of 10.
That’s all we have for now. What do you think—which shark movie is the most ridiculous but still fun to watch? And what’s your take on the increasingly bizarre premises in modern shark films? Feel free to share your thoughts in the comments!
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